From the Archives : Likeness of K. (2012)
Daguerreotypic the matter of meaning
that is deflection
cauterized of skin of passed light
focusing the din of antique realia
forced still
just staring back at you
perhaps a little stupidly
And other photos that in a flash coerced your ownership
cohering you on a line’s length
the framed circumference of a day
Your print and detoured detail
the foundations strewn
before you — and again
withal today’s deposition — walled-in
and automatic
the edification of being totally and without delay
projected on collapseable screens
and power-pointed
or breathing into chill air
a rote synthesis
But each grain zapped alit resolute
in place of revelation
acast a space group making up
the trait defects veered of imagery
the latticed parameter and scenerio latitude
such latencies slurred in salt and silver
you suffered to body
Though I can't tell
any of this
looking at you in sallowed gravure
hung now on some wall
not you as you sit struggled still and look past
interpenetrating violet orbs and yellow rings
that suffuse and pierce the outlines
of a reflection you see
deep in the iris of the lucent lens
extending from a hole in the wooden faceboard
and what is it like you wonder
inside the hood where the Photographer
stands hunched over
totally hidden from the sight of the world
and what does it withhold
and where are you
But still never your chamfered mind
because every moth-loved cravat
and shoeless spats of yours in fact truly is
such a lurid seismograph
or crumpled thaumatrope
and that is at any rate
enough to stoke the engine with at least
of the atoms continuing their sitcoms
complete with applause cues for no hands
and sempiternal sequents cut-out
from some laterna magica vaster
than the wakes you could perform with your body
such as your dreams and whose wetness
bled-out listlessly of your lungs
and got up and played in the playground world
that always seemed to perforate right there in front of you
tattooing the pigskin of your sight
for it was painful to watch
So, there you are
dressed-up in your life
that seems now
a posture
but even if the scene were
staged — by the Photographer devised
in his studio, the world a canvas scenery
painted in gaudy color
flat and suspended
behind you
and you yourself — an actor
just playing your part
sitting with friends in a cutout
prop monoplane
flying over the great capitals
of the sepia-sunken XIX Century
Even so — the photograph exposes nothing
but outlines
that registered
impassable against
the transparency of the glass
The truth of the act
was left to you
a weight you couldn’t even feel
on your skin
as you undressed later that night
and went
to sleep